After an intense week of shooting that spanned over six long days, each lasting 12 hours, the production team finally enjoyed a well-deserved break on Sunday. The scenic backdrop of Ouarzazate, Morocco, where filming is taking place, is enriched by the presence of local extras, including a remarkable woman who embodies the spirit of the region. With an extended filming schedule of eight weeks, we were granted special permission from the Area President to administer the Sacrament, allowing eleven dedicated members to come together for a moment of spiritual connection, enhanced by the presence of a newcomer who sought to join our gathering. In the midst of our exhausting production schedule, far from home, this gathering transformed into a precious and tender occasion for many.
One of the most significant advantages of filming in Morocco is the extraordinary talent and availability of local background actors. These individuals seem to have stepped out of the 1st Century, lending an unparalleled authenticity to our project. For instance, a background extra peers from his tent at a homeless camp, where a key character, Talia, extends her compassion to those in need—a poignant moment that resonates deeply with the themes of our story.
With filming on hold, this was an ideal moment to highlight the exceptional work of our behind-the-scenes photographer, Philippe “Mountain Goat” Kradolfer. His nickname, which I proudly bestowed upon him, perfectly encapsulates his adventurous spirit. His wife and assistant, Regula, has grown accustomed to witnessing him balancing on precarious rock ledges, scaling rooftops, or maneuvering beneath tables—all in pursuit of capturing the perfect shot. Perhaps inspired by his Swiss heritage, Philippe's relentless creativity imbues each photograph with a sense of vivid life.
Philippe “Mountain Goat” Kradolfer is often seen negotiating narrow ledges high above the set at Oasis Studios in Ouarzazate, Morocco. This region is rich in history, home to the Berber people, known as Imazighen or “free people,” who represent one of the oldest civilizations on earth. Their lineage stretches back thousands of years, far predating the Arab conquests, and their heritage can be traced back to the time of Abraham and even earlier. The authenticity that their faces, attire, textures, and presence bring to our film set creates a powerful visual experience that helps us imagine what life might have been like during the time of Christ.
The contribution of these extras, even including a donkey, is invaluable as they await their call time to appear on set. The portrayal of extras walking along the “Magdela Road,” a locale near the Sea of Galilee where the Parable of the Ten Virgins may have been shared by Jesus Christ, enriches our narrative, ensuring that the world of The Ten Virgins feels vibrant and full of life.
As reported by latterdaysaintmag.com.
